The Praktica Super TL1000 is an East German made SLR which uses the M42 screw mount.
It is normally sold with a Carl Zeiss or Pentacon branded 50mm
Tessar lens. Due to the M42 mount, there is a large number of lenses
that can be used made by dozens of companies, including the Soviets and
Carl Zeiss, and many Japanese third party companies.
It handles fairly well and has the shutter release on the front
right side. The body itself is almost rectangular in shape, with only
very slightly curved corners.
It has a wide range of shutter speeds from 1sec to 1000th and B.
It uses a coupled match needle meter which is activated by the stop down
lever next to the shutter release.
Overall, it's a good user camera that can be found cheaply on most used markets in the world.
Showing posts with label SLR. Show all posts
Showing posts with label SLR. Show all posts
Tuesday, 28 January 2014
Monday, 27 January 2014
Exakta Varex VX
The Exakta Varex was made by Ihagee/Jhagee in Dresden, it is a decendant of one of the first SLR cameras, the VP Exakta. The Varex uses standard 35mm film and can be used from canister to spool or canister to canister. The latter allows you to end a roll half way through and not lose any exposures due to the built in film cutting knife.
The Exakta uses the Exakta bayonet mount, as such
there is a nice variety of lenses, made by various companies from Carl Zeiss to Oude Delft, who made very good lenses but they are now rare and command a very high price. I own a A Shacht Ulm Travegon 35mm f3.5, which is a nice lens for a generally fair price. The Exakta Varex VX has the ability to use different finders, such as a waist level finder or prism, or even a metered prism made by a third party.
The Exakta cameras are known for unreliability, however mine works very well, My Exakta VX was imported into Holland when it was new by Heynderickx which was the Dutch importer, I bought mine in Holland in November,it is still working as I write this. Over all it is a very competent camera with a lot of quirks but with an unreliable background. So buy one if you want to have to repair/replace it after you've bought it or used it for a while.
The Exakta uses the Exakta bayonet mount, as such
The Exakta cameras are known for unreliability, however mine works very well, My Exakta VX was imported into Holland when it was new by Heynderickx which was the Dutch importer, I bought mine in Holland in November,it is still working as I write this. Over all it is a very competent camera with a lot of quirks but with an unreliable background. So buy one if you want to have to repair/replace it after you've bought it or used it for a while.
Sunday, 26 January 2014
Canon AV-1
Japanese made 35mm SLR that works in Aperture Priority mode, it uses the Canon FD mount which has been outdated so the lenses are fairly cheap
The Canon AV-1 is fairly light due to being made of metal coated plastics, it uses a needle in the viewfinder to show what speed it has selected, so far in use it has given perfect exposures, and I'm quite happy with the resultsSince writing this I have sold the Canon AV-1 to my friend who collects Canon FD mount cameras
Kiev 60
The Kiev 60 is a Ukrainian made 6x6 120 film SLR, which is known for
Arsenal's interesting approach to quality control. Due to it's shoddy QC
there are several companies that refinish them, Arax and Hartblei are
two of these companies, it is probably a better idea to buy from one of
these companies, but they do charge a premium price for this "upgrading"
process, I never bought mine through any of those companies, instead I
bought a Kiev 60 that had a handgrip attached from a store in holland
through a friend, the addition of the handgrip showed that the owner
trusted it to survive, so I took a chance on it.(I saved about $200)
I've used a few rolls of film and the film advance has been creative (not quite correct). Normally it does advance the film correctly, but when I was using a roll of fomapan 400 it jammed and caused a panorama like image out of three images, the source of this appears to have been me loading the film incorrectly. The previous roll had been loaded by a friend of mine in Holland so I didn't know how slightly more awkward than most it was to load.
It's a very heavy camera, just under the 2kg mark, its made in traditional soviet style, lots of metal and shoddy electronics, mine came with a TTL finder, sadly the electronics in the finder don't work, so in the future I am planning to buy a replacement from a reputable seller (Arax), aside from the interchangeable finders the specifications are fairly normal, shutter speeds from 1/2nd up to 1/1000th and B. the lenses are mounted with a basic breechlock style mount where a ring on the body turns to lock the lens to the body.
There's an extensive range of lenses from the mad 30mm which is a fisheye lens (180 degree field of view) to a telephoto lens around the 250mm area, at the moment I have the kit lens a Volna 3 (80mm f/2.8) which is a nice sharp lens with good colours and contrast. Aside from the USSR made lenses you can also buy the excellent German lenses made for the Pentacon 6 and the Exakta 66 (Carl Zeiss and Schnieder). All the ussr made lenses are under 150 euros each (except the 30mm which is around 250 euros)
There is a comprehensive selection of accessories and lenses, all for reasonable prices, especially when compared to other medium format systems.
Overall I would recommend a Kiev 60 to nearly anyone that wants a medium format SLR, as even if you buy an upgraded Kiev you will still have plenty of money left over to buy lenses (well compared to a Pentax 67 system).
I've used a few rolls of film and the film advance has been creative (not quite correct). Normally it does advance the film correctly, but when I was using a roll of fomapan 400 it jammed and caused a panorama like image out of three images, the source of this appears to have been me loading the film incorrectly. The previous roll had been loaded by a friend of mine in Holland so I didn't know how slightly more awkward than most it was to load.
It's a very heavy camera, just under the 2kg mark, its made in traditional soviet style, lots of metal and shoddy electronics, mine came with a TTL finder, sadly the electronics in the finder don't work, so in the future I am planning to buy a replacement from a reputable seller (Arax), aside from the interchangeable finders the specifications are fairly normal, shutter speeds from 1/2nd up to 1/1000th and B. the lenses are mounted with a basic breechlock style mount where a ring on the body turns to lock the lens to the body.
There's an extensive range of lenses from the mad 30mm which is a fisheye lens (180 degree field of view) to a telephoto lens around the 250mm area, at the moment I have the kit lens a Volna 3 (80mm f/2.8) which is a nice sharp lens with good colours and contrast. Aside from the USSR made lenses you can also buy the excellent German lenses made for the Pentacon 6 and the Exakta 66 (Carl Zeiss and Schnieder). All the ussr made lenses are under 150 euros each (except the 30mm which is around 250 euros)
There is a comprehensive selection of accessories and lenses, all for reasonable prices, especially when compared to other medium format systems.
Overall I would recommend a Kiev 60 to nearly anyone that wants a medium format SLR, as even if you buy an upgraded Kiev you will still have plenty of money left over to buy lenses (well compared to a Pentax 67 system).
Nikon F
The Nikon F was Nikon's first professional SLR, it was basically a rangefinder with a prism grafted on the top, which allows for interchangeable prisms and viewfinders and focusing screens.
The plain prism now has a huge price increase as the metered prisms are slowly dying, it is still possible to find a working metered prism, however it is quite difficult to find one that works well.
The camera itself is very high quality, with a good range of shutter speeds (From 1 second to 1000th in conventional steps) The shutter is made of titanium, which was designed to stop the problems of the cloth shutter used in cameras like the Leicas, it would have been possible to burn a hole in the shutter if it was used in MLU and pointed toward the sun if they had used a cloth shutter.
To load the Nikon F you have to remove the bottom and the back which is one piece,which is locked in place by a turning key thing on the base.
The F has a self timer that can be set to three different times (I think they are 3,6 or 9 seconds) It has a Mirror Lock Up feature that does require you to lose a frame to activate it.
The plain prism now has a huge price increase as the metered prisms are slowly dying, it is still possible to find a working metered prism, however it is quite difficult to find one that works well.
The camera itself is very high quality, with a good range of shutter speeds (From 1 second to 1000th in conventional steps) The shutter is made of titanium, which was designed to stop the problems of the cloth shutter used in cameras like the Leicas, it would have been possible to burn a hole in the shutter if it was used in MLU and pointed toward the sun if they had used a cloth shutter.
To load the Nikon F you have to remove the bottom and the back which is one piece,which is locked in place by a turning key thing on the base.
The F has a self timer that can be set to three different times (I think they are 3,6 or 9 seconds) It has a Mirror Lock Up feature that does require you to lose a frame to activate it.
Zenit 3m
The Zenit 3m is one of the first Zenit SLRs, it either came with an
Industar-50 or Helios 44. Mine came with Industar-50 which is a tessar
based lens, which is quite sharp, I also have the Helios 44 which is a
very good lens.
The Zenit 3m is a fairly small camera, made in out of
metal. It's a very basic camera, for example it doesn't have an instant return mirror, instead it is lowered when you find the film on. It has a fairly small viewfinder with a plain matte screen. It has the
same shutter speeds as most Zenit SLRs (B,30,60,125,250,500) with flash sync at 1/30th.
In use it's unusual due to not being able to see through the viewfinder until the shutter is cocked, the shutter speeds should only be set after the shutter is cocked, and the Industar-50 lens is unusual to use.
Here is someone elses page on the Zenit 3m
http://thecameracollection.blogspot.co.uk/2013/01/zenit-3m.html
The Zenit 3m is a fairly small camera, made in out of
metal. It's a very basic camera, for example it doesn't have an instant return mirror, instead it is lowered when you find the film on. It has a fairly small viewfinder with a plain matte screen. It has the
same shutter speeds as most Zenit SLRs (B,30,60,125,250,500) with flash sync at 1/30th.
In use it's unusual due to not being able to see through the viewfinder until the shutter is cocked, the shutter speeds should only be set after the shutter is cocked, and the Industar-50 lens is unusual to use.
Here is someone elses page on the Zenit 3m
http://thecameracollection.blogspot.co.uk/2013/01/zenit-3m.html
Zenit 21XS
The Zenit 21XS is a modernised version of the Zenit 12XP/CD, the
majority of the body of the camera is made of plastic, the back door and
the dials are made of metal.
The Zenit 21xs is sold under a lot of different names with slight changes, it was made from 1993-1996, with almost 30,000 made, this makes it a bit uncommon to find on the UK market.
Its still got the weight that most Zenits have and the same shutter speeds, and an ISO range from 25-400.
Belarus made, difficult to find
The Zenit 21xs is sold under a lot of different names with slight changes, it was made from 1993-1996, with almost 30,000 made, this makes it a bit uncommon to find on the UK market.
Its still got the weight that most Zenits have and the same shutter speeds, and an ISO range from 25-400.
Belarus made, difficult to find
Zenit B
The Zenit-B was made in the Soviet Union, it's a cheaper version
of the Zenit-E, to make it cheaper they removed the light meter and in
its place is a film reminder on the rewind dial, otherwise it is exactly
the same as the Zenit-E
It is made with the same steel body as the E-type Zenits.
It also shares the same focusing screen as the Zenit E which resembles an old TV with the slightly bulging screen.
It is made with the same steel body as the E-type Zenits.
It also shares the same focusing screen as the Zenit E which resembles an old TV with the slightly bulging screen.
Zenit E
The Zenit E is one of the most known cameras, quite a lot if people
bought them to start out in photography as they were cheap but had good
lenses, back when they were new you could buy a Zenit-E for about £50,
generally £48 was the average price for a Zenit-E with a Helios-44-2
As with most Zenits it is very basic with no extra features, except it has an uncoupled selenium light meter, which would be helpful for beginners. The Zenit-E has no focusing aids, many people complain that it makes it harder to focus, I personally like using the plain focusing screen.
Generally by this point in time the Selenium meter has lost sensitivity
As with most Zenits it is very basic with no extra features, except it has an uncoupled selenium light meter, which would be helpful for beginners. The Zenit-E has no focusing aids, many people complain that it makes it harder to focus, I personally like using the plain focusing screen.
Generally by this point in time the Selenium meter has lost sensitivity
Zenit EM
The Zenit EM is an upgraded version of the Zenit-E, the main improvement
is that it has a new focusing screen (with focusing aids) it has the
old style of shutter speed dials, another improvement is that it now has
an auto-aperture lever, which allows you to use "automatic" lenses.
Another minor improvement is the addition of strap lugs, which means you
don't have to carry it in it's leather case if you needed a way to
carry it around your neck. It also has an updated shutter button and
exposure counter similar to the Zenit TTL.
It's still the same as the Zenit-E in many ways such as it still has the basic metal shell underneath the metal plates, so it's still the very heavy steel structure that made the E so popular as a near indestructible camera, it's very simplistic, still using an uncoupled meter. Also the light meter uses ASA/DIN numbers instead of the Soviet GOST which is a very minor advantage.
It's still the same as the Zenit-E in many ways such as it still has the basic metal shell underneath the metal plates, so it's still the very heavy steel structure that made the E so popular as a near indestructible camera, it's very simplistic, still using an uncoupled meter. Also the light meter uses ASA/DIN numbers instead of the Soviet GOST which is a very minor advantage.
Zenit TTL
The Zenit TTL is a solid, all-metal camera. It's a camera with no frills or extras, it's very simple with very limited speeds; because it's so simple, it's fairly reliable.
My Zenit TTL is one of my favourite cameras because it's fairly tough, it's survived several hits against walls and floors. The viewfinder is a slightly dim, and blue tinted. As it takes M42 mount lenses, there's a huge selection of lenses for reasonably cheap prices; even the Soviet lenses are very good quality for the price and are generally built out of metal, therefore are fairly tough compared to modern plastic bodied lenses. The Zenit is not a very ergonomic device, and some say it handles like a brick.
From a recent test, I learnt that it is solid enough to survive a fall from a 4 story building, this is an answer to a question most people wouldn’t ever have to ask.
Sample image.
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